J Schatz Studio
J Schatz Studio is a Detroit ceramic studio founded by Jim Schatz, working in high-fired stoneware to make lighting, objects, vessels, tabletop pieces, and design-forward products for birds. Each piece is hand-built to order in limited annual editions, using proprietary glazes and finishes developed over decades in the studio. The work is grounded in permanence — dense materials, considered surfaces, forms made to last and to be lived with. The full studio catalog lives at jschatz.com; selected pieces are available through Take Me Home.
Lighting
A red sphere, an aqua stem, a goldenrod base — three colors resolved into a single compact silhouette. The Spot On Desk Lamp pairs high-gloss ceramic surfaces with unapologetic color blocking, a small object built for direct light and direct presence.
A single Kuni Juu, finished in Orange Peel — a saturated, high-gloss glaze with citrus warmth — topped with a hand-spun alder form rubbed in natural oil. The Kuni Juu pairs two materials that rarely meet in lighting: speckled stoneware and solid wood, turned and fired separately, then joined into a single sculptural base. "Kuni Juu" is Swahili for "wood top."
by Jim Schatz with J Schatz Studio
A homage to space age design. The Bubble Lamp Pair anchors a credenza or tops off nightstands — stoneware orbs stacked offset from their base, finished in high-gloss glaze and crowned with a linen shade. Sold as a pair.
A17-1 began as a study in the "found" object — a form refined over years of casting until it emerged, as if pulled from an architectural ruin. Finished in metallic lava glaze and fitted with an integrated LED. A personal monolith.
by Jim Schatz with J Schatz Studio
The Metallic Edition is a specific run of Dot Dot Dot Pendants — the pieces made for the Take Me Home gallery install, now released. Same sculptural logic as the original: stacked ceramic forms punctuated by a single exposed bulb, the final dot of light.
Finished in metallics rather than color. Bronze against matte Rust Red. Graphite Lava against high-gloss Metallic Black. Platinum on its own, reduced to a single reflective sphere and its glow.
These are the pieces, finished and ready. When they're gone, they're gone. Each pendant signed and numbered by the artist.
Objects
by Jim Schatz with J Schatz Studio
Ceramic egg bank by Jim Schatz in a rustic glaze — warm browns and ambers pooling and streaking over the egg form, a single coin slot cut at the top. Glazed and high-fired. No two glaze surfaces alike.
by Jim Schatz with J Schatz Studio
Expansive and grounded, Plateau vessels echo the broad planes of the earth. Their forms hold stillness and presence, anchoring space with quiet strength. Each is a study in horizontality — balancing surface and depth in a way that feels both elemental and timeless. Hand-built in white stoneware with a textured surface; watertight; one of a kind. Part of the ongoing Organica series.
by Jim Schatz with J Schatz Studio
A series of one-of-a-kind platters extending the Geometria vocabulary to the table. Slab-built by hand from white stoneware and finished in layered, hand-glazed surfaces, each piece reduces form to essentials — a circle, a half-moon, a suspended shape — held inside a field of color. Each piece is titled by the glaze recipe that produced its surface — a permanent record of how the work was made.
by Jim Schatz with J Schatz Studio
A pure cylindrical form finished in layered hand-glazed washes. The surface shifts between softness and saturation, with rustic tones that suggest mineral deposits, weather, and time. Each vessel is unique, with subtle variation in color, movement, and mark. Studio-cast and finished by hand. Watertight.
Glossy stoneware planters inspired by the classic Roman goblet form. Each planter is a chalice-shaped vessel raised on a pedestal foot, with drainage and a watertight base. Studio-cast and finished by hand at J Schatz Studio in Detroit.
Utilità bowls with glossy interiors, glazed exteriors, and unglazed bottoms. Studio-cast and finished by hand. Available in two sizes — small for prep, large for serving and baking. Oven safe to 450°.
by Jim Schatz with J Schatz Studio
A set of slab-built platters in organic, amorphous forms — each shaped freehand, each different. Hand-formed from speckled stoneware and finished in a layered hand-glazed surface. Each set is one of a kind, stamped and signed.
by Jim Schatz with J Schatz Studio
A set of three slab-built platters in graduated sizes — small, medium, and large. Hand-formed from speckled-buff stoneware and finished in a transparent glaze that lets the specks of the clay body read through. Each set is one of a kind, stamped and signed.
by Jim Schatz with J Schatz Studio
A set of three slab-built platters in graduated sizes — for amuse-bouche, salad, and dessert courses. Hand-formed from speckled-buff stoneware and finished in a transparent glaze that lets the specks of the clay body read through. Each set is one of a kind, stamped and signed. Part of the ongoing Mod series.
by Jim Schatz with J Schatz Studio
A suspended ceramic composition of 13 stoneware orbs secured to each other by stainless steel grommets and hung from a single stainless steel cable. Each orb is glazed in one of the studio's thirteen signature colors — slate grey, olive, light aqua, pink, bright white, sun yellow, ginger, orange peel, sumac red, midnight blue, walnut brown, plum, and burnt red — arranged by the color principles of Johannes Itten. Each orb is thrown perfectly round and high-fired to 2200°F, where it settles into an imperfect ellipse. Studio-cast and finished by hand. Numbered and dated by the artist.
by Jim Schatz with J Schatz Studio
A suspended ceramic composition of 34 stoneware orbs in glossy bright white glaze, held in place by hand-knotted jute rope. Each orb is thrown perfectly round and high-fired to 2200°F, where it settles into an imperfect ellipse — a gesture to the handmade nature of ceramics, finished in a flawless white surface. Studio-cast and finished by hand. Numbered and dated by the artist.
by Jim Schatz with J Schatz Studio
A suspended ceramic composition of 66 individual stoneware shapes finished in platinum lustre, hung on six stainless-steel cables in a circle. Each cable carries eleven shapes; the surface is mirror-bright, catching and reflecting the light around it. Studio-cast and finished by hand. Numbered and dated by the artist.
Utilità bowls with glossy interiors, glazed exteriors, and unglazed bottoms — sealed with a heavy stoneware lid for storage, baking, and serving. Studio-cast and finished by hand. Available in two sizes. Oven safe to 450°.
A pour-over coffeemaker and matching mugs in high-fired stoneware. The coffeemaker filters into the carafe below; it brews two mugs of coffee. Studio-cast and finished by hand in the J Schatz Studio in Detroit. Speckled stoneware body, Metallic Black finish. Sold as a set or as individual pieces.
Outdoor
by Jim Schatz with J Schatz Studio
The iconic first piece in J Schatz's Birds line — and the work that launched the studio. The Egg Bird Feeder takes the eternal egg form, hand-built in stoneware and finished in a glossy glaze that also keeps squirrels off. Bird food gravity-feeds from the egg into a custom spun aluminum dish below. Originally designed in 2004, named Product of the Year by Fortune that same year, and made by hand in the studio every year since.
by Jim Schatz with J Schatz Studio
The in-spot for birds. A stoneware feeding tube sheltered under a custom spun aluminum cover, with four feeding holes and four perches so birds can approach from every side. Built for wet climates — the aluminum roof keeps the birdseed dry. Originally designed in 2008 and made by hand in the studio every year since.
by Jim Schatz with J Schatz Studio
A bulb-shaped feeder with a bell opening below — at the center, a sun-yellow stamen as the hummingbird's point of contact. The form does the work plastic feeders never could. Originally designed in 2013 and made by hand in the studio every year since.
"A hummingbird feeder that floats on the breeze." — Sara Barrett, New York Times
by Jim Schatz with J Schatz Studio
A horizontal stoneware tube suspended by a single hanging wire and balanced by a polished aluminum ring at the center. Four aluminum perches and two feeding holes on each end. The piece spins and dips in the breeze, kinetic and quiet at once. Originally designed in 2012 and made by hand in the studio every year since.
by Jim Schatz with J Schatz Studio
A natural companion to the Egg Bird Feeder. The 1⅛" entry hole attracts chickadees, wrens, and smaller birds while keeping house sparrows out. A removable spun aluminum bottom with four ventilation and drainage holes makes the piece easy to clean and keeps birds dry inside. Originally designed in 2005 and made by hand in the studio every year since.
by Jim Schatz with J Schatz Studio
The same iconic egg form as the standard Egg Bird House, now in three premium textured finishes — bronze, graphite lava, and metallic black. Each surface has an earthy, tactile quality that brings a different presence to the garden. The 1⅛" entry hole attracts chickadees, wrens, and smaller birds while keeping house sparrows out. Released as a tighter run of 25 per year. Originally designed in 2005 and made by hand in the studio every year since.
by Jim Schatz with J Schatz Studio
A pole-mounted bird house for backyards without a tree. The stoneware body shelters chickadees, bluebirds, titmice, and nuthatches; the textured interior surface below the entry gives fledglings a safe foothold on the way out. Ships ready to install with a 6' four-section aluminum mounting pole. Mount several in different colors for an installation-like feel. Originally designed in 2012 and made by hand in the studio every year since.
by Jim Schatz with J Schatz Studio
Liberated from the pedestal. A stoneware basin suspended from a sturdy tree branch by white nylon rope — glazed glossy white on top, matte white below. A 3" lip with a talon grip edge gives birds a comfortable place to land. Originally designed in 2017 and made by hand in the studio every year since.
Commissions
Take Me Home accepts select commissions for sculptural, ceramic, and site-specific work by the gallery's artists. Recent projects include private residences, interior design installations, and public-facing architectural placements.
Each commission is developed in close dialogue with the collector, designer, or architect — beginning with an initial conversation about the space, intended use, and creative direction. From there, the artist and gallery develop a proposal with materials, dimensions, and production schedule. Work is then built in-studio in Detroit, with in-progress updates shared throughout.
Commission inquiries are reviewed on a rolling basis. Timelines typically range from three to nine months, depending on scope, material, and scale. The gallery also accepts commissions for editioned work and sculptural lighting.
To inquire, please contact hello@detroittakemehome.com or (313) 454-1777 with a brief description of the project, intended location, and approximate timeline.
Take Me Home
1533 Cadillac Blvd. Suite 102
313-454-1777
Open Friday - Sunday 12-6 PM
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J Schatz Studio
22005 Van Dyke Ave.
Warren, MI 48089
866-344-5267
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by J Schatz Studio
Light projected through tiny apertures on a stoneware egg, scattering stars across the ceiling. The Star Egg Nightlight sits on a brushed and polished stainless-steel base — a quiet object for a bedroom that becomes a small constellation when lit. Originally designed in 2004 and made by hand in the studio every year since.
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