Utilità Bowls

by Jim Schatz and Peter Souza Jr.

Part of Radical Presence, Honcho 1986 is a limited series of ceramic plates drawn from archival Honcho magazine imagery and typography — including fragments of Peter as cover model. Cropped, intimate, and graphic, each plate transforms a singular image fragment into a lasting ceramic object.

Each plate is part of an edition of 40, with every image unique to the series.

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by Jim Schatz

Part of Radical Presence, Gestures is a limited series of ceramic plates featuring unique photo mural imagery drawn from the body in fragment — hands, feet, touch, contact. Rendered in a brown tonal palette on glazed ceramic, each plate becomes its own field of attention: personal, symbolic, quietly charged.

Each plate is part of an edition of 100, with every image unique to the series.

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by Jim Schatz

A five-piece place setting from the Radical Presence series, hand-painted on high-fired stoneware. Five figures of the male form move across the plates and bowls — in orange, pink, ochre, and blue — each drawn by hand, each setting one of a kind. Hand-painted and finished in the studio. Signed and stamped by the artist.

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by Jim Schatz

A five-piece place setting from the Radical Presence series, hand-painted on high-fired stoneware. Five figures of the male form move across the plates and bowls — in ochre, blue, orange, yellow, and red — each drawn by hand, each setting one of a kind. Hand-painted and finished in the studio. Signed and stamped by the artist.

by Jim Schatz

A five-piece place setting from the Radical Presence series, hand-painted on high-fired stoneware. Five figures of the male form move across the plates and bowls — in olive, blue, yellow, orange, and pale blue — each drawn by hand, each setting one of a kind. Hand-painted and finished in the studio. Signed and stamped by the artist.

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by J Schatz Studio

A pour-over coffeemaker and matching mugs in high-fired stoneware. The coffeemaker filters into the carafe below; it brews two mugs of coffee. Studio-cast and finished by hand in the J Schatz Studio in Detroit. Speckled stoneware body, Metallic Black finish. Sold as a set or as individual pieces.

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by Jim Schatz with J Schatz Studio

A series of one-of-a-kind platters extending the Geometria vocabulary to the table. Slab-built by hand from white stoneware and finished in layered, hand-glazed surfaces, each piece reduces form to essentials — a circle, a half-moon, a suspended shape — held inside a field of color. Each piece is titled by the glaze recipe that produced its surface — a permanent record of how the work was made.

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by J Schatz Studio

Utilità bowls with glossy interiors, glazed exteriors, and unglazed bottoms — sealed with a heavy stoneware lid for storage, baking, and serving. Studio-cast and finished by hand. Available in two sizes. Oven safe to 450°.

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by Jim Schatz with J Schatz Studio

A set of slab-built platters in organic, amorphous forms — each shaped freehand, each different. Hand-formed from speckled stoneware and finished in a layered hand-glazed surface. Each set is one of a kind, stamped and signed.

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by J Schatz Studio

Utilità bowls with glossy interiors, glazed exteriors, and unglazed bottoms. Studio-cast and finished by hand. Available in two sizes — small for prep, large for serving and baking. Oven safe to 450°.

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by Jim Schatz with J Schatz Studio

A set of three slab-built platters in graduated sizes — small, medium, and large. Hand-formed from speckled-buff stoneware and finished in a transparent glaze that lets the specks of the clay body read through. Each set is one of a kind, stamped and signed.

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by Jim Schatz with J Schatz Studio

A set of three slab-built platters in graduated sizes — for amuse-bouche, salad, and dessert courses. Hand-formed from speckled-buff stoneware and finished in a transparent glaze that lets the specks of the clay body read through. Each set is one of a kind, stamped and signed. Part of the ongoing Mod series.

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