Dot Dot Dot Pendants

by Jim Schatz with J Schatz Studio

New combinations of the Dot Dot Dot Pendants, now installed at Take Me Home. Same sculptural logic as the original: stacked ceramic forms punctuated by a single exposed bulb, the final dot of light.

Three styles in high-gloss color. Olive, Sun Yellow and Light Aqua, stacked three high. Pink on its own, a single dot and its glow. Purple, Sumac Red and Orange Peel, the tallest of the three.

These are the pieces as installed, finished and ready, one of each.

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by Peter Souza Jr.

A pair of pendant lamps by Peter Souza Jr., each built from hundreds of hand-rolled stoneware links joined into a chain sleeve that gathers tight at the crown and falls open below. Unglazed buff clay, high-fired, hung on fabric cord with brass fittings and a porcelain socket in a copper housing. Light passes through the mesh and throws the pattern onto the room. Cord is cut to your electrical installation; custom installation is required and not included in the price. Part of the Degenerate collection.

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by Jim Schatz

Four arms rise and turn from a stepped central column, each terminating in a frosted globe — an architectural form in textured white stoneware that reads as much as sculpture as light. Suspended from a single wire, the piece holds its weight in stillness.

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by Jim Schatz

Cactus Pendant Lamp suspends a flattened stoneware body from a length of white nylon rope passing through a top eyelet. Seven ceramic forms extend outward from the lower chamber, each terminating in a small bulb — a single body articulated into multiple points of light.

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by Jim Schatz

Aura Pendant Lamp suspends a flattened, ovoid stoneware body from a length of white nylon rope passing through a top eyelet. A circular aperture in the body holds the light, so illumination reads through the piece rather than from a fixture above.

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by Jim Schatz with J Schatz Studio

The Metallic Edition is a specific run of Dot Dot Dot Pendants — the pieces made for the Take Me Home gallery install, now released. Same sculptural logic as the original: stacked ceramic forms punctuated by a single exposed bulb, the final dot of light.

Finished in metallics rather than color. Bronze against matte Rust Red. Graphite Lava against high-gloss Metallic Black. Platinum on its own, reduced to a single reflective sphere and its glow.

These are the pieces, finished and ready. When they're gone, they're gone. Each pendant signed and numbered by the artist.

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