by Jim Schatz with J Schatz Studio

A suspended ceramic composition of 34 stoneware orbs in glossy bright white glaze, held in place by hand-knotted jute rope. Each orb is thrown perfectly round and high-fired to 2200°F, where it settles into an imperfect ellipse — a gesture to the handmade nature of ceramics, finished in a flawless white surface. Studio-cast and finished by hand. Numbered and dated by the artist.

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By Peter Souza Jr.

A one-of-a-kind wall work by Peter Souza Jr., built from hundreds of painted wood offcuts — strips, blocks, and fragments layered edge over edge across a square panel. Washes of blue, orange, green, and yellow sit scrubbed and worn into the wood, no piece finished the same way twice. The surface reads flat from across the room and deepens into relief up close.

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by Peter Souza Jr.

Nothing here is buried completely. Layer moves over layer — orange under green, green under blue — and every pass leaves the earlier ones showing through. A surface built by covering, where the covering never quite holds.

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By Peter Souza Jr.

A wall-mounted form built through cutting, joining, painting, and sanding — wood treated as both structure and surface. Acrylic and watercolor wash across the assembled form, holding the marks of two materials in dialogue. The piece reads as record of attention: each layer of paint, each cut and joined edge, evidence of slow making.

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By Peter Souza Jr.

The costume set down. Blocks and slats hold their positions on the panel, but the same wash moves over all of them — one color running through what used to be separate performances. What's left when the effort of appearing stops.

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By Peter Souza Jr.

A vertical wall sculpture in wood, acrylic, and watercolor. The forms gather and disperse — figures held briefly together, painted in soft washes. The piece carries the doubleness of its title: things lost and things kept, the act of finding what gets returned and what doesn't.

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By Peter Souza Jr.

A small standing sculpture in wood, acrylic, and watercolor by Peter Souza Jr. The forms read as figures gathered close, painted in soft washes that hold the light. The piece carries its title openly — a quiet figuration of holding on.

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By Peter Souza Jr.

A vertical sculpture in wood, acrylic, and watercolor by Peter Souza Jr. Smaller than the larger assemblages but holding the same vocabulary — gathered forms, painted surfaces, careful joins. The piece reads as both vessel and figure, an object that suggests something held or remembered.

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